Two sons of Capitol staffers have just self-published “Clark Reeper Tales,” an adventure novel combining the Western and science fiction genres. We caught up with writer Michael Panush, the son of David Panush, a consultant to Senate Pro Tem Darrell Steinberg, in between classes at City College. His illustrator, Jake Delany, is the son of Robert Delany of the Assembly Sergeant’s Office. The pair will host a book signing this Sunday, March 15, at 2 p.m. at the Avid Reader on 1600 Broadway.
Tell me a bit about the book. How did you get the idea
to combine Westerns and science fiction?
The book chronicles the adventures of Clark Reeper,
an old west bounty hunter, and his 10-year old adopted son Charles as they battle gargantuan
insects, demonic fiends, creatures from other worlds
and worse. In their travels, they encounter an odd
assortment of historical figures, including Wild Bill
Hickok, Wyatt Earp, Billy the Kid, P.T. Barnum, Thomas
Edison, Marie Laveau (the “Voodoo Queen” of New Orleans), and even Richard Nixon (as president, not as a zombie).
The idea for writing the book came when a friend showed
me a zombie comic book. In it, there was a character
wearing a cowboy hat. As I read it, my friend hummed
the famous theme from Sergio Leone’s movie “The Good, The Bad and The Ugly.” Why stop at zombies, I asked?’ There are plenty of other supernatural and sci-fi clichés, demons, aliens, Voodoo, robots, giant bugs, and
more that would be perfectly at home in an Old West
setting. And so “Clark Reeper Tales” was born.
How did you first get interested in writing?
When I was little, I would just walk around the schoolyard
with a stick in my hand telling stories to myself.
It must have looked pretty weird to everyone around.
When I was 9, I joined the Sacramento Storyteller’s Guild, learned to tell stories to groups, and went
on to win their Liar’s Night Contest for a story that explained how I lost
my homework. It was true, really. Later a story I wrote
about school cafeteria food that goes bad (and attacks the students) which allowed me to become a finalist in the National
Youth Storytelling Olympics. Now, instead of telling
my stories, I’m writing them down.
Tell me about some of your publications and awards.
I’ve been published by numerous Ezines including Alien
Skin, Tiny Globule, Demonic Tome, Defenestration, Aphelion,
Horror Bound, Demon Minds, Fantastic Horror, Fickle
Muses and the Fantasy Gazetteer. My most popular series
is the saga of Culpug the Cavelord, the adventures
of a primeval warrior in a fantastic prehistoric world.
My story “Puck Out of Luck”mixes the world of Cold War Espionage with fairies
and other creatures of myth. Another series follows
Captain Sullivan Dice, a roguish pirate captain who
encounters Lovecraftian horrors, time portals in the
Bermuda Triangle, and more during his adventures upon
the high seas.
How did you and Jake first meet?
We were in Cub Scouts together, and have been friends
ever since. At Kennedy High School, all the students
doodle during class, but Jake’s drawings were the best. I’m a big fan of his work. For our high school senior
project, we decided to do the book, and Jake agreed
to illustrate it. His ability to render both old west
guns and rotting zombies in great detail made him the
perfect choice for illustrating the book. His pictures
make Clark Reeper come alive. Amazingly, this is Jake’s first illustration work. Lately, he’s turned his talents to create artwork for his band,
Flower Violence, in which he plays bass and does back-up vocals.
I noticed you guys used Booksurge. Tell me about that
process.
Booksurge is a self-publishing program. After getting in touch with them,
I prepared a manuscript which I then sent in through
email, along with all the picture files. That was the
easy part. I begged and borrowed the money to cover
the printing costs, which is one reason why I’m really hoping lots and lots of people come to my
book signing at Avid Reader this Sunday.
What are your goals as a writer?
My goal is to write pulp, something that’s entertaining, exciting, and full of action. If it
ain’t got zombies, ninjas, or dinosaurs, it ain’t worth reading. At the same time, I do try to add
some history about real people and events. In “Clark Reeper Tales,” I deal with very serious topics like the Indian Genocide,
the plight of the lower class during the Gilded Age,
the oppression of the Mexican people that led to the
Mexican Revolution, the advancement of technology leading
to the “War of Currents” between Tesla and Edison, woman’s rights, and issues of race and justice in Reconstruction
Era-South. But hey, the first chapter of “Clark Reeper Tales” involves zombies and a robot.
What are your influences?
Texan author Joe R. Landsdale is probably the most
famous writer of the Weird Western, and I hope Clark
Reeper’s world reflects his gritty imagery of his haunted
west, though perhaps a little less depraved. Robert
E. Howard, a pulp writer of the 1930s, created some of the greatest adventure stories of
all time, such as Conan the Barbarian. Modern westerns,
from the recent re-launch of DC’s comic character Jonah Hex and the amazing recent
HBO series “Deadwood,” have shaped my modern perception of the old West,
just as much as the classic first western – Owen Wister’s “The Virginian.” Everything from John Wayne to Clint Eastwood works
its way into the Clark Reeper formula, but the biggest
influence comes from the brilliant and exciting works
of art, the Spaghetti Westerns. Anyone who is familiar
with these movies will recognize quite a few nods to
the classics, including an infamous coffin taken directly
from Sergio Corbucci’s “Django.”
